Innocence investigates the possibility of an architecture that is both open and personal, both monumental and fragile, both rational and questioning: an unlikely and innocent architecture. Innocent architecture seems to belong to extremely broad formal traditions; it is precisely defined and yet strangely generous.
The White U: Towards a Possible
Japanese Classicism
Oliver Thill
A House for Sister Nabuko and her
Small Daughters Sachiko and Fumiko
Stefano Boeri
The Foundations of All Possible Buildings: Three Houses for a Sister
Christophe Van Gerrewey
A Bagatelle under Military Dictatorship: Artigas’s Balneario in Jaú
Daniele Pisani
Imi, Imi, Machine and More
Freek Persyn
Thirteen Notes on the Villa Garzoni
Pier Paolo Tamburelli
A Park in the Shape of the World
YellowOffice
Fossil, Sphinx, Fossil, Sea, Moon
Stefano Graziani
Model Architecture
Kersten Geers
Reading the Monadnock Block
Job Floris
“Fünf auf der nach oben offenen Richterskala”
Andrea Zanderigo
Purpose and Allusion: Hannes Meyer and Hans Wittwer, Petersschule in Basel, 1926, and Bundesschule–ADGB in Bernau, 1928–30
Guy Châtel
The New Naive
Milica Topalovic
A Letter to the Zoologist
Joana Rafael
The One-Trick Pony
Salomon Frausto
The Secret Life of the Horizontal City
Francesco Garofalo
The Baths: a Project for Villa Muggia
Salottobuono
Broadcasting Architecture
Marco Brizzi
Unfolded Spiral
2A+P/A